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The Beauty Of Lines—— Ma Yong’s Scenery Ink Painti
浏览次数:1465次 更新时间:2019-11-27



Ma Yong

He is an experienced Chinese actor. Ma Yong graduated from Shanghai Theatre Academys Directing and Performance major in 1997 and known by the public because he played Han Yan in The Han Wu Emperor and Changshuan in Jstars Courtyard. In Confucius, he played Gongbo Liao who was the younger brother of Confucius who was played by Chow Yun-fat and played Anna( played by Tang Wei)s brother in Late Autumn. He also played in many TV Shows and movies.

 

He is also an incredible ink painter. Art is in his blood, thats why he can be fantastic although he never went to any professionals art school. The animals and people in Ma Yongs ink painting are unique. His strokes are free, and lines are simple and accurate. He shows the peculiarities and unique vibe of each species of animals lively. You can see their emotions through the paper. The spirits and characters of people he draws are vivid. Professionals call him a spiritual painter.

 

Ma Yongs paintings present a combination of Chinese and western beauty, his simple lines has the density of line-drawing method in Chinese painting and the three-dimensional feeling of western classic realistic painting. Ma Yong is a rising ink painting master in contemporary China.


 



跳舞的胡楊


玉米垛



落英繽紛



靜謐森林


陽光樹林


柴垛


靜靜河岸


陽光小道



ONE OUTSIDE: We are familiar with you being an actor, when did you start to get in touch with ink painting?

Ma Yong: I have liked painting since I was a child, I think it’s natural. We, people from the 70s, mostly used to use pens. I remember that I used to like to draw on textbooks and notebooks when I went to school. I knew how to use a pen at that time. You could use a pen for a rather long time if you are careful.

 

ONE OUTSIDE: Did you learn the technique of ink painting or practice after that?

Ma Yong: I didn’t practice with a pen or study on purpose. I just draw what I see, and the tool is a pen. So I can use some ink painting techniques or its particular form of expression. No one taught me how to ink-paint, I studied by myself and found the feeling by myself.

 

ONE OUTSIDE: What do you like to paint and how do you paint with a pen?

Ma Yong: I like painting the painting I like. This line may be hard to say, but ordinary people should understand. If I want to draw a person or a tree, he or she or it must touch me. I need to be passionate about the thing I draw. I will not settle when I paint, I will not draw the things that I do not like. Only when I am moved, when I am happy to draw, then I would want to draw and have feelings when I draw. When I draw, the outside world has nothing to do with me. I am entirely devoted to the painting.

 

ONE OUTSIDE: In the art of painting, there arent many ink painters. What do you think the differences between ink painting and other paintings are?

Ma Yong: There are actually many ink painters. Since I started to paint, I began to pay more attention to this area. There are plenty of ink painters, but not many special ones. When I started to draw, I didn’t think much about what I was going to do or reach a certain level. I just followed my interest and feeling to draw and studied how to draw well.

 

ONE OUTSIDE: How long do you need to create a painting?

Ma Yong: I would gather many materials and watch them when I have the time. If I looked at a material for more than one minute, my mind might already have feelings, then I may start to draw. It may take one to two hours, three to four hours, even days to finish. But before that, my brain has done many preparations. I like the feeling to complete without stopping and to feel fully and delightfully. I usually don’t stop in the middle of drawing if I am not very tired. Of course, it takes a longer time to accomplish a large piece. I try to keep this status when I draw.

 

ONE OUTSIDE: How many people, do you think, in this modern society can understand ink painting?

Ma Yong: I don’t think they cant understand paintings, its whether they like it or not. If you love art, and you have the skill and technique, you will try to draw. It is as same as what you like to eat, it is natural. Every man has his hobbyhorse.

 

ONE OUTSIDE: I think the rhythm of ink painting and the spiritual power in the ink painting can show its creators temperament and education. Do you channel your feeling through ink painting, or do you try to explain something?

Ma Yong: I naturally have feelings for black and white lines, and I prefer these lines and their rhythm. I have painted for this long time, I think I have captured the rhythm. One day, I drew a painting called Rain Of Flowers. I used cheerful and bouncy lines to create an elegant and rhythmic painting. I said that I drew everything and drew nothing in this painting. But it is a classic and beautiful painting.

 

ONE OUTSIDE: What do you think is the most crucial thing for ink painter?

Ma Yong: Other than fundamental requests of a painter, I think the most important thing is to find inspiration in life. The really essential part is in life, painting is just a presentation. As a painter with heart, ability, and gift, anything and any view should be able to trigger his inspiration and let him understand, study profoundly and then evolve. This is constant progress to walk forward. The better a painter draws, the more inspired he is, and more people will like him.

 

ONE OUTSIDE: Whats your idea and plan in the future for ink painting?

Ma Yong: For starters. I am joyful when I paint. I want to use my understanding of painting to paint more paintings which I like and touch me, and then touch other people through them. I want to keep drawing like this; keep bringing joy to everyone; let more people and people, who like to paint, know Ma Yong’s ink painting. And in the meantime, I hope Ma Yongs ink painting can give a feeling of joy and happiness to people who like to paint. That will be enough. Thank you all!

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